Friday Forgotten Song: Cherry, Cherry by Neil Diamond

In the wake of Neil Diamond finally making it into the Rock & Roll Hall of Fame this week (along with a great and worthy set of inductees for 2011), I had to put something together for the occasion. But what was I going to spotlight here? I mean the man had so many friggin' hits in his career, many of them marshaling me through my teen years and the caldron that was high school, how could I pick just one and be representative? Who cares that many dismissed his work for so long because they thought it only epitomized the 'soft' side of rock and regulated it to the 'pop' for the era. They miss the point entirely by not acknowledging how superb his discography (and talent) is in point of fact, or how far-reaching its influence. Besides that, many of my relatives simply worshipped the singer/songwriter/performer. For good reason, too. So I had pressure to make this count. In the end, it came down to what I've played the most of recent. And it's a song I only re-discovered a short time back.

Cherry, Cherry was written and recorded by the artist, and released back in 1966 (for the Bang Records indie label). It became Neil Diamond's first big hit (following his debut single, Solitary Man). It reached as high as #6 on Billboard's chart for the year. The pop hymn is a relatively simple song, but it sure gets the job done with an infectious energy -- a distinctive trait for many tracks that came out of the 60s. In fact (as Wikipedia reports), Rolling Stone would later rate the tune as, "one of the greatest three-chord songs of all time." No argument there. Even the release of the live version some seven years later would score the number more applause (it reached #31 in '73). While I liked it then (hey, I was only 11 when it came out), I find I enjoy it a hell of a lot more now. Back in 2009 while I lounged somewhere at home, listening to the oldies radio station in these parts, this track once again popped up on their playlist. Though it was so ridiculously familiar, for some reason that time I zeroed in to what was happening entirely in its background. I surprised myself by marveling at it. So much so, I began to do some research on the song.

The legendary pair of songwriter-promoters, Jeff Barry and Ellie Greenwich, produced the piece. No slouches there, no siree. Plus, they contributed a great deal to what makes the track as good as it is. The first thing you should notice, there is no drum beat in it -- something unheard of for the time. The rhythm is kept solely by the handclaps. The song that became the hit is in fact the demo -- a later studio version with horns and drums didn't cut it and has since found its way to Diamond's 1996 anthology, In My Lifetime. Next, that is in fact Barry and Greenwich (someone admired and missed most dearly by my friend Moondancer) performing the background vocals. It was Ellie herself that invented the background arrangement for Cherry, Cherry, and it's her voice in the chorus that initially drew me in. And it is why I recognize how great and enjoyable the backing is in the production. She'd also performed the support vocals for Kentucky Woman, again with Neil and Jeff. It was a revelation to me how catchy Neil, Jeff, and Ellie's voices remain and how much they added to the overall verve of the tune. Even after all of these years. Top it off with Diamond's now recognizable and steady guitar licks that really drive the melody -- a career quality the Hall of Fame pays tribute to in their bio for the singer. Lastly, let's not overlook Artie Butler's work on piano and Hammond organ which gives the piece a unique and playful character. Put it all together and you'll know exactly why I think this tune shouldn't be anywhere in the vicinity of forgotten.

With congratulations to Mr. Diamond, and in heartfelt remembrance of my aunt Olivia and my wife's mother Arlene.

Baby loves me, yes, yes she does
Ah, the girl's outta sight, yeah
Says she loves me, yes, yes she does
Mmm, gonna show me tonight, yeah

Hey, she got the way to move me,
Cherry
(She got the way to groove me)
Cherry, baby
She got the way to move me
(She got the way to groove me)
All right

Tell your mama, girl, I can't stay long
We got things we gotta catch up on
Mmm, you know
You know what I'm sayin'
Can't stand still while the music is playin'
All right

Y'ain't got no right, no, no you don't
Ah, to be so exciting
Won't need bright lights, no, no we won't
Gonna make our own lightning

Hey, she got the way to move me
Cherry
(She got the way to groove me)
Cherry, baby
She got the way to move me
(She got the way to groove me)

No, we won't tell a soul where we gone to
Girl, we do whatever we want to
Ah, I love the way that you do me
Cherry, babe, you really get to me

Hey, she got the way to move me,
Cherry
(She got the way to groove me)
Cherry, baby
She got the way to move me
(She got the way to groove me)

Cherry....